International Tuba-Euphonium Association

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International Tuba-Euphonium Association The official page of the International Tuba Euphonium Association. Join the community at https://iteaonline.org Community Standards.

ITEA shall foster bonds among all tuba and euphonium players, create enthusiasm for the instruments and its performers, celebrate diversity, support professional development, promote the sharing of resources, and encourage teaching and learning about the instruments. Welcome to the official social media pages of the International Tuba Euphonium Association (ITEA). Our platforms aim to foster connections among tuba and euphonium enthusiasts worldwide while maintaining a safe, respectful, and inclusive community. Please follow these guidelines:

Treat everyone with kindness and respect, regardless of identity, background, or beliefs. Harassment or discrimination of any kind will not be tolerated. Participate in discussions with a constructive and supportive attitude. All must adhere to each Social Media Platforms’ Rules, which include respecting others, avoiding hate speech, threats, harassment, personal attacks, inappropriate content (e.g., nudity or graphic violence), and refraining from spreading false information or spam. Never share personal or sensitive information about others without their consent. Only post content that's relevant to the group and supports a community that celebrates diversity, encourages learning, and promotes collaboration among tuba and euphonium enthusiasts of all ages. By engaging on ITEA’s Social Media pages, you agree to these guidelines and the Platform’s (Facebook, Instagram, etc.) ITEA reserves the right to remove posts if any of the above is violated. To ensure these guidelines are adhered to and allow for clarifications, the following actions can be taken by the Social Media Committee for posts/comments that violate our guidelines: First Violation - Warning from the page administrator(s) Second Violation - 1 (or 2) week suspension from the page administrator(s) Third Violation - Violators will be permanently banned from the ITEA page after a review by the Social Media Committee

This committee will include: ITEA Social Media Manager ITEA Executive Director ITEA Vice-President

If you experience or witness inappropriate behavior, please report it to ITEA’s Social Media Director or Executive Director.

Emerging artist and educator Dr. Blake Lile will be the Lecturer of Low Brass and Music History at Troy University start...
10/20/2026

Emerging artist and educator Dr. Blake Lile will be the Lecturer of Low Brass and Music History at Troy University starting in fall of 2026. In this position, he will teach tuba and euphonium lessons, music history courses, and other brass-related classes. He earned his DMA from the University of North Texas, his MM from Oklahoma State University, and his BM from Murray State University. His primary teachers include Don Little, Matthew Good, Dr. Ryan Robinson, and Dr. Todd French.

Read more about Blake in the section of the Summer 2026 ITEA Journal! https://iteaonline.org/journal/

Join ITEA in celebrating the 53rd year of TUBACHRISTMAS®!Tuba and euphonium players are again invited to participate in ...
10/16/2026

Join ITEA in celebrating the 53rd year of TUBACHRISTMAS®!

Tuba and euphonium players are again invited to participate in one or more of the many 53rd anniversary TUBACHRISTMAS® concerts and events presented throughout the world.

Find an event near you:
https://tubachristmas.com/pages/event-locator

ITEA members! A new book has been released about Cora Youngblood Corson. If you don’t know who she is, keep reading:Vaud...
10/14/2026

ITEA members! A new book has been released about Cora Youngblood Corson. If you don’t know who she is, keep reading:

Vaudeville’s Wildflower uncovers the extraordinary story of one of early twentieth-century America’s most dynamic and overlooked entertainers. Drawing on rare archives, family records, and vivid period accounts, James P. Gregory Jr. restores Cora Youngblood Corson—a trailblazing brass musician, bandleader, and vaudeville performer—to her rightful place in performing arts history. This richly detailed biography showcases a woman who transformed obstacles into opportunities by challenging the gender, ethnic, and cultural boundaries of her time.

From humble beginnings on the Oklahoma plains, Corson rose from small-town prodigy to nationally celebrated figure on the vaudeville circuit through talent, determination, and an unshakable belief in her art. As a virtuosic tuba and euphonium player, she led renowned all-woman brass bands and captivated audiences with elaborate productions that blended Western, military, and Native American themes, reflecting both the imagination and contradictions of her era.

Yet behind the glamour was a story of courage and complexity. Corson’s adoption of a Native American persona reflected both the allure and tension of identity in American popular culture. Through her layered performances, she navigated questions of representation, race, and gender—sometimes reinforcing, sometimes subtly challenging prevailing stereotypes. Her career longevity stemmed not only from musical brilliance but also from an ability to adapt to a rapidly changing entertainment landscape. Beyond the spotlight, Corson also became a passionate advocate for performers’ rights. A fearless union activist, she fought against powerful theatrical monopolies, enduring blacklisting and setbacks while remaining committed to fair treatment and creative independence for working artists.

Set against the backdrop of vaudeville’s golden age, the First World War, and Oklahoma’s evolving identity, Vaudeville’s Wildflower paints a compelling portrait of a woman ahead of her time. Blending biography, cultural history, and storytelling, this book celebrates a forgotten star whose life continues to inspire audiences and artists while illuminating the broader struggle for equality, artistry, and identity in early American entertainment.

If you’re interested, you can purchase the book here:
https://www.amazon.com/Vaudevilles-Wildflower-Lives-Youngblood-Corson/dp/0807186775

Andrea Hobson recently won the euphonium and baritone position with the Thüringen Police Orchestra in Germany where she ...
10/12/2026

Andrea Hobson recently won the euphonium and baritone position with the Thüringen Police Orchestra in Germany where she began performing in March of 2026. Hobson is a South African-born brass musician, composer, and educator, specializing in euphonium. She holds a master’s degree in music from Rhodes University and has undertaken further studies at University of the Free State. Hobson has performed internationally as both a soloist and ensemble musician, appearing in countries including Singapore and Spain. Her compositions have been selected for competitions within the International Tuba and Euphonium Association (ITEA) Conferences. Now based in Germany, she is active as both a performer, conductor and teacher within the brass band scene.

Read more about Andrea in the section of the Summer 2026 ITEA Journal! https://iteaonline.org/journal

"You just have to make ends meet as a musician. If you don’t land a job in a big orchestra, you have to do everything yo...
10/10/2026

"You just have to make ends meet as a musician. If you don’t land a job in a big orchestra, you have to do everything you can just to pay your bills."

Tony Clements is the principal tubist of Symphony Silicon Valley and was principal tubist of the San Jose Symphony Orchestra from 1981 to 2001. He is an aficionado of the “Los Angeles tuba sound.” In his long and varied career, Tony has been a personnel manager, president of his local of the American Federation of Musicians, conductor, private teacher, and a university teacher.

Read more his journey in "Artist Profile: Tony Clements" by Alex Lapins in the Summer 2026 ITEA Journal!
https://iteaonline.org/journal/

🔔 ALL NEW: ITEA Mentorship Project 🔔The purpose of the program is to expand educational and training opportunities to el...
10/07/2026

🔔 ALL NEW: ITEA Mentorship Project 🔔

The purpose of the program is to expand educational and training opportunities to eligible ITEA members through virtual access to professional musicians and artists. The goal of the program is to “bridge the gap” for members who lack resources and/or access to educational opportunities that can advance their musical goals and educational aspirations.

Program participants will meet virtually 3-4 times a year with paired ITEA mentors. These meetings can vary widely from playing lessons to career advice sessions and other possibilities. ITEA mentors are volunteering their time to be a part of the program, and no compensation is being provided or collected from any participants.

Apply to be a mentor here: https://docs.google.com/forms/d/e/1FAIpQLSdmYmE3R_lWVSm-BWodlffAa8kHWa4zXQMHH_jOuc4zfg6cug/viewform

Apply to be a mentee here: https://docs.google.com/forms/d/e/1FAIpQLSfAO7L-wDJKslDiRKsdpKbaC4grJQwqcgfhNh-ED6dRdaN0Uw/viewform

Our featured member for the month of October is internationally recognized educator and performer, Dr. Chris Dickey. Dic...
10/06/2026

Our featured member for the month of October is internationally recognized educator and performer, Dr. Chris Dickey. Dickey is currently the Chair of the Department of Music at the University of Texas at El Paso having moved from a 15-year tenure at Washington State University. Their original position at WSU was as instructor of tuba and euphonium building a successful studio with students participating in competitions and auditions across all levels. Over time, they added a number of administrative duties, culminating in serving as the Director of the David G. Pollart Center for Arts and Humanities and as Music Graduate Studies Coordinator. In the professional sphere, Dr. Dickey is an active performer and clinician with examples of their professional activity including a featured recital at the upcoming Canadian Regional Conference or their recent regional presentation and performance at SERTEC. Their output also extends into the chamber world as the tubist for the internationally recognized and acclaimed Mirari Brass Quintet. Dr Dickey also serves on the faculty of the Red Lodge Music Festival and has commissioned numerous works from underrepresented composers including Crossroads by Katahj Copley and Abiaka: Suite for Tuba and Piano by Joy Zickau. When away from their many musical commitments, they enjoy spending time as an avid home chef and baker. They note that their favorite hobbies besides cooking include reading, furniture refurbishing, and spending time with their husband Matthew and corgi Apollo.

“I don't have one of those inspiring stories where I can say the first time I heard the tuba or euphonium, it was like a chorus of angels singing to me.” Like many of us, Dr. Dickey came upon the euphonium by seeing someone else playing it and being fascinated by it. They note that they remember seeing their older brother’s friend playing the euphonium and at the last possible moment, asking their beginning band director to play the euphonium and the rest is history. Dickey’s euphonium performance degrees include a Bachelors from Eastern Illinois University, Masters from the University of Iowa, and a Doctorate from Northwestern University. Dickey notes that, despite now being known primarily as a tubist, they only learned the tuba after the fact to improve job marketability. From these degrees Dickey distilled one great lesson “the most valuable thing I learned was recognizing how performance, education, and collaboration are woven into so many parts of being a successful musician. Everyone can play and has certain strengths, many folks are passionate about teaching, but then to tie it all together with a collaborative spirit? That is what I learned throughout my education.” Dickey also credits the immense influence of not only their teachers, but also that of their colleagues and friends who have challenged and encouraged them including Tom Curry, Genevieve Clarkson, Jeremy Crawford, and their husband who has the unique perspective of a non-musician married to a musician.

When asked about their career, Dickey notes that where they are now is quite different from where they started. At El Paso, they are responsible for the entirety of the music department, in a way a culmination of the work they did at Washington State University. They note that much of what made them a successful studio professor—a dedication to detail, welcome environment, hard work ethic, and a drive to improve student success and improvement—all tracked quite well with the needs of a music administrator. In their responses, Dr. Dickey mentions a lot of skills and experiences that carry over between duties, financial experience between music administration and the Mirari Brass Quintet, teaching a studio and overseeing a department, etc.

Everyone who completes the Meet the Member survey is asked about any advice for the reader who is looking to make music their career. I can confidently say that Dr. Dickey has some of the most interesting insights that I have seen so far in writing these Meet the Member segments. Quoting Dickey, “I think of Food Network icon Ina Garten's 2024 memoir. In it, she talks about the idea of being ready ‘when the luck’ happens. This tells me that I should keep working on developing skills, because when an opportunity comes along, you want to be able to confidently say yes. I don't know what that next chapter may be, but I will keep refining skills and learning new ones along the way for sure.” A sound piece of advice that encourages all of us to seek out new skills and opportunities while being ready and open for what the world might choose to throw our way.

“Always look for ways to learn and improve. Never grow complacent. Extract all the knowledge you can from as many experiences as you can.”

Thank you, Dr. Dickey for the encouraging words, the insight into the life of an educator/performer, and for being part of the Meet the Members project. If you enjoyed the read, consider filling out the form yourself. We hope to see some of you readers featured here in the future!

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The primary mission of the ITEA College Students Committee is to make the association more relevant and accessible to college students. Our current ongoing projects and objectives include but are not limited to:
- Advising ITEA on how to better cater to college students’ needs.
- Facilitating the establishment of new student chapters.
- Offering support for guest artist and lecturer events.
- Exploring financial aid opportunities for student chapters and individuals, such as travel grants and scholarships.

We also invite all members, especially college students, to share your feedback and expectations via the survey. Let us know how ITEA can better serve and engage with the collegiate community to ensure the association remains relevant and accessible. https://docs.google.com/forms/d/e/1FAIpQLSd2xo2DQNRcLwwjT8qzQWhQCvj1cwjPsuVLA74KoJFOkjOTuQ/viewform

10/04/2026

How do you interpret the 2027 ITEC theme, New Beginnings?

Dr. Genevieve Clarkson is the new Assistant Professor of Tuba and Euphonium at Florida State University where she will b...
09/28/2026

Dr. Genevieve Clarkson is the new Assistant Professor of Tuba and Euphonium at Florida State University where she will begin teaching in August of 2026. Equally at home in the concert hall as she is on the marching field, Genevieve has appeared as a soloist and clinician at major events including the Midwest Clinic, International Tuba Euphonium Conference, International Women’s Brass Conference, and Army Band Tuba-Euphonium Workshop. An active chamber musician, Genevieve performs with Magnolia Brass Quintet and In Motus Tuba Quartet, collaborating with professional musicians nationwide. Outside of her collegiate teaching, Genevieve serves as Lead Tuba Instructor for the Bluecoats Drum and Bugle Corps, helping the corps to a gold-medal finish at the 2024 DCI World Championships. Genevieve earned her DM in Tuba Performance from Indiana University, MM from the University of Cincinnati College-Conservatory of Music, and BM in Music Education from James Madison University (magna cm laude) and is a Buffet-Crampon artist.

Read more about Genevieve in the section of the Summer 2026 ITEA Journal! https://iteaonline.org/journal

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