Enough Is Enough NY

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Enough Is Enough NY This page is a noteworthy "complain" page. (Note: this is an open forum. ABOUT "The Enough Is Enough NY" Campaign

(Reg. The Jazz Foundation saved my life.”

5.

Topics are selected and posted by Sohrab Saadat Ladjevardi with the goal to make people aware of social-poiltical-cultural unfair issues. Post deletions will only occur for the following reasons: abusive language, posts not relevant to the subject, spam or self-promotion.) the campaign song " ENOUGH IS ENOUGH NY" (https://soundcloud.com/sohrab-saadat-ladjevardi/enough-is-enough-ny): a music video is in the works.) We all know how hard it is to make a living as a jazz musician. Learning to play this music takes a lifetime of work and dedication, with little economic benefit. For most musicians, retirement is a luxury they can’t afford, as they don’t enjoy the safety net that other workers generally have, things like: adequate social security benefits, pensions, and unemployment insurance. Many New York City jazz clubs, including the Blue Note, Birdland, Jazz Standard, The Village Vanguard, and others, had an opportunity to help solve this problem seven years ago, but failed to take action. In fact, these clubs, and many others, have been pocketing money meant for musicians’ pensions, the very musicians that keep them in business. "The Enough is Enough NY" campaign is about taking direct action to stop the injustice that these clubs have perpetrated against musicians for over seven years. Before I get into the nature of the "Enough is Enough NY" campaign, I’d like to give you a little background on the situation. Prior to 2007, small venues - less than 250 capacity - that offered live musical performances, sold food and refreshments separate from admission, were subject to a New York State Sales Tax on their admission charges. In 2006, after years of advocacy by the Local 802, Manhattan Association of Cabarets and Clubs, musicians, and many others, the New York State Assembly introduced an amendment to that state tax law which exempted jazz venues in this city (under 250 seats) from paying sales tax on admission charges. The bill labeled, Assembly Bill #11594 (http://assembly.state.ny.us/leg/?bn=A11594&term=2005), became law in 2007. During the negotiations and lobbying for the sales tax exemption, there was a tacit agreement between club owners and the musicians union that the savings from admission tax would go to musicians’ pension funds. Since that time, the major jazz clubs have failed to keep up their end of the bargain, contributing nothing to musicians’ pensions. I can’t accept this situation, and neither should you. The union estimates that the Village Vanguard, for example, now saves up to $80,000 a year as the result of the sales tax exemption. All of the major New York jazz clubs have benefited from the tax break, but have repeatedly refused to work with the union and create a way to redirect the money into musicians’ pension funds. Indeed, the time has come that all jazz musicians declare “enough Is enough!”
We need to join forces in order to ensure fairness and dignity from New York's jazz clubs. The union has made some efforts to rectify the situation, but we need to pull together to put the pressure on club owners and let them know that injustice will not be tolerated. To do that, we need help from people involved in every facet of the music business, including musicians, music journalists, politicians and audiences. The following are the basic goals that I have set out for "Enough is Enough NY":

1. Change the law to require that small venues contribute a percentage of their admissions to musicians’ pension funds; or
2. Get club owners to enter into a collective bargaining agreement with the musicians union, requiring that they pay a percentage of their admissions into musicians’ pension funds. I’m asking for your help and support at the beginning stages of this movement. As of now, I have begun plans to help achieve our goals: an aggressive plan to raise public awareness of the issue through media and online sources; a direct action campaign to confront club owners and let them know that we will not tolerate injustice any longer; and, a lobbying effort to get the attention of state and city politicians and set the stage for changing the law. I’m also open to any ideas you may have - the more creative the better! Tell me how you can be a part of this movement. It's our campaign, and we need to finish the job that was started in 2007. Even more importantly, we need to let New York and the world know that New York’s jazz community is united and demands respect. (For people who want to know about the history of the sales tax law please read here: http://image.iarchives.nysed.gov/images/images/79188.pdf.) Sohrab Saadat Ladjevardi

RELATED LINKS

1. DooBeeDooBeeDoo NY (http://www.DooBeeDooBeeDoo.info): “…The basic thrust of the editorial content is that a social awareness can be fostered through music.”

2. Justice For Jazz Artist (http://justiceforjazzartists.org/): “Jazz musicians playing in major New York City clubs are not guaranteed fair pay, do not receive healthcare benefits and often retire in poverty.”

3. Content Creators Coalition NYC Chapter (http://ccc-nyc.org/) “…join music makers and music lovers alike in urging Congress to support artists’ pay for radio play.”

4. Jazz Foundation of America (http://www.jazzfoundation.org/): “I was going blind and couldn’t see to shop or cook. I was living on two cans of SlimFast a day for over a year and a half. David Lowery'sThe Trichordist (http://thetrichordist.com/) “Artists For An Ethical and Sustainable Internet ”

6. Blake Morgan's "I Respect Music" (http://irespectmusic.org/): “The United States is the only democratic country in the world where artists don’t get paid for radio airplay.”

"Asemoon: The New Single and Video by NY’s Koubeh - Koubeh is the past, present, and future of Persian music.Koubeh: The...
08/27/2026

"Asemoon: The New Single and Video by NY’s Koubeh - Koubeh is the past, present, and future of Persian music.

Koubeh: The New York-based Iranian ensemble, formed in 2019, consists of three musicians from the Iranian diaspora. They dedicated themselves to celebrating and reimagining Persian music for contemporary audiences...This is diaspora music at its most vital. In their hands, the music evolves without losing touch with its roots and essence." - Review by Dawoud Kringle

Koubeh is led by my former Kemanche player Kaveh Haghtalab, who's also a member of Musicians For Musicians, Inc - MFM.

Happy to see that a dear music colleague and guitarist, Andres Nilsson, is playing in this band.

https://doobeedoobeedoo.info/asemoon-the-new-single-and-video-by-nys-koubeh/

https://doobeedoobeedoo.info/asemoon-the-new-single-and-video-by-nys-koubeh/

"Goodbye iPhone" is the ultimate D.I.Y. protest anthem for the digital age, confronting our collective addiction to soci...
08/15/2026

"Goodbye iPhone" is the ultimate D.I.Y. protest anthem for the digital age, confronting our collective addiction to social media and technology. Written on the NYC subway and filmed in a breathless four-hour session, this music video is a raw, unscripted battle cry for human connection.

Stream the track on the new album, SoSaLa "2026 - American Dream Trash" - available everywhere today, released on August 14th, 2026! 💿

🎧 BUY THE ALBUM (DooBeeDoo Records Official Shop): https://doobeedoobizllc.thrivecart.com/american-dream-trash/

STREAM (SoundCloud): https://soundcloud.com/sohrab-saadat-ladjevardi/sets/2026-american-dream-trash

🌐 SoSaLa Official Site: https://www.Sohrab.info
https://youtu.be/tYibKEzaXRA?si=iozuR0duu1RSotoM

Live Skull Volker Goetze David Belmont

"Goodbye iPhone" is the ultimate D.I.Y. protest anthem for the digi...

I'm a fan of FlamenKora. A trio and music project run and produced by a new friend, music colleague, trumpet player, and...
05/23/2026

I'm a fan of FlamenKora. A trio and music project run and produced by a new friend, music colleague, trumpet player, and composer, Volker Goetze, who you'll hear on my new album, playing electric trumpet and flugelhorn.

My New York fans, please come to one of his gigs in NY. FlamenKora creates timeless and enchanting multicultural music; a welcome balm in these troubled times. Promise....

"FlamenKora — A Night of Ancestral Crossings and New‑World Fire"

For the first time in New York, the trio FlamenKora steps onto the stage carrying the breath of three distant homelands - Senegal, Brazil/Spain, and finally New York - woven into one luminous musical current.
From Dakar, Paris‑based griot Ali Boulo Santo Cissoko brings the shimmering pulse of the kora and the ancestral voice of the Cissoko lineage, a family whose music has carried stories across centuries. From Brazil by way of Madrid, flamenco virtuoso Roberto Monteiro channels the duende of Andalucía through a South American heart—his guitar a bridge between Iberian fire and the rhythmic soul of the Atlantic. Completing the triangle, German‑born New York trumpeter and composer Volker Goetze summons the open‑sky imagination of jazz, shaped by decades of deep apprenticeship within West Africa’s Mande tradition.

Concerts endorsed and supported by Musicians For Musicians, Inc - MFM

MAY 28 @ DROM, NYC (85 Avenue A – New York, NY)
Doors: 6:30 PM | Show: 7 PM
MAY 30 @ TEMPO Performing Arts Center (29 Wurts St, Kingston, New York)
Doors 7:00 PM | Show 8-10 PM

04/30/2026

TODAY’S MUSIC BUSINESS LESSON.

The heirs of two of Jimi Hendrix’s former bandmates have been involved in a long-running dispute with Sony Music and the Hendrix estate to secure royalties from Hendrix’s catalog.

Recently, British High Court Judge Edwin Johnson ruled that bassist Noel Redding and drummer John “Mitch” Mitchell both signed a recording agreement on October 11, 1966, that waived their rights and wholly eliminated the possibility of future royalties.

In a 140-page ruling, Judge Johnson wrote “I conclude that the first owners of the copyrights… were the producers,” and that a critical clause in the original agreement meant that the producers, and not the Jimi Hendrix Experience musicians, owned the rights to “any sound recordings made hereunder.”The sub-clause also specified that the rights covered “the copyright throughout the world in all sound recordings of performances of musical works by the artistes.”

The judge pointed out that the agreement was “clear and unequivocal,” with “no temporal or territorial limitation to this agreement” or anything qualifying ownership.

Furthermore, the judge found that, after Hendrix’s death in 1970, a “series of transactions” made his estate “the ultimate successor” to the producers’ rights under the recording agreement.

Janine Hendrix, his younger step-sister and the CEO of Experience Hendrix, cheered the ruling approved of the ruling.

THE MORAL OF THE STORY IS, ALWAYS READ ANY CONTACT BEFORE YOU SIGN IT.

It is with deep sadness that the members of Musicians For Musicians, Inc - MFM acknowledge the passing of Michael Harris...
04/24/2026

It is with deep sadness that the members of Musicians For Musicians, Inc - MFM acknowledge the passing of Michael Harrison. He died in New York City on April 17, 2026, at the age of 67. The cause of death was complications from pancreatic cancer. https://doobeedoobeedoo.info/michael-harrison-remembered/

The SoSaLa 2026 CD Release Countdown has started!!!Based on three jam sessions with guitarist-bassist-synthe Mark C of L...
04/18/2026

The SoSaLa 2026 CD Release Countdown has started!!!

Based on three jam sessions with guitarist-bassist-synthe Mark C of Live Skull and drummer and percussionist Andy Weintraub. Yes, we just played and improvised. Two jams in 2024 and one in 2025 at Mark C's studio. I played tenor and soprano saxophones, and in between, I sang or played percussion.
After a while, I listened to all the recorded tracks and was surprised to hear "NU NO WAVE" music. Music created in the moment and without rules. Without knowing, we all were in sync and played the right notes and scales. My improvised lyrics became messages nobody can ignore.

By today, we have selected 15 tracks. We invited two musicians and spoken-word artists to participate: Isa on congas and percussion; Volker Goetze on electronic trumpet and flugelhorn; and David Belmont and Ed Haas. Except for Isa, all are members of Musicians For Musicians, Inc (MFM).

This CD is a follow-up to SoSaLa's "Nu World Trash", released in 2011. It took me 14 years to record my next album. Why, because life didn't want me to do that. But when LIFE connected me with Mark C, things started to happen: a fruitful musical collaboration.

I intend to submit this album for consideration at the GRAMMYs. This album will be very different from all submitted works.

Wish Mark C and me luck that the Recording Academy and its membership have the "big" ears to appreciate our album.
More about the making of the album in the coming posts.

(Photo courtesy of Ed Haas)

Dear members,I'm sure much of your music is played on European terrestrial and digital radios. Do they pay you performan...
03/24/2026

Dear members,
I'm sure much of your music is played on European terrestrial and digital radios. Do they pay you performance royalties? No or not yet. But it will happen soon, as SoundExchange has been campaigning for "Fair Radio Royalties for American Artists in Europe" for some time. This campaign will ensure European terrestrial and digital radios pay our performance royalties. Here is a post I want to share with you that explains the current status of this important SoundExchange campaign, which we, professional musicians, should all support individually.
In solidarity and music,
Sohrab aka SoSaLa

American performers still don’t get paid for European radio plays. SoundExchange says it’s time to enforce national treatment globally.

What I, Sohrab Saadat Ladjevardi, have expected for a while happened this morning: my first home country was attacked by...
02/28/2026

What I, Sohrab Saadat Ladjevardi, have expected for a while happened this morning: my first home country was attacked by my fourth home country and its ally, Israel. A stupid and unnessary war. A war that was caused by so many things that it's hard to come up with one argument. Fortunately, all Iranian Musicians For Musicians (MFM) members are safe and outside of my first home country.
My only hope is that the Iranian people rise up again in masses in the whole country and kick the regime out before the attackers do it. By doing so, Iranians will keep their country under their control and keep its sovereignty. If not, I assume Iran will become another Iraq.
Besides, I haven't heard from the so-called opposition leader, Prince Pahlevi? It's 2:07 PM now.
While waiting for his voice, how about listening to one of my tracks, which is related to my relationship with Iran, VATAN KOJAI? (Where is my country?):

"Nu World Trash" is SoSaLa’s debut release, on NYC’s DooBeeDoo Records, but continues the long career of Sohrab Saadat Ladjevardi aka SoSaLa – saxophonist, soundtrack composer, editor of the online mu

Have you listened to MFM SPEAKS OUT yet? Check it out here: https://mfmspeaksout.simplecast.com/episodes/kaleta-F6R_FegB...
01/24/2026

Have you listened to MFM SPEAKS OUT yet? Check it out here: https://mfmspeaksout.simplecast.com/episodes/kaleta-F6R_FegB
ME, in conversation with Fela Kuti-Egypt 80 guitarist Kaleta. Actually, this conversation went longer than what you'll hear. I'll post the long version on another platform of mine.
It's the first time to be an official host of a music-musician-musicians rights-related podcast.
I'll continue inviting people to talk about what they do, what they love, and what they've achieved in their lives.

Legendary Afrobeat guitarist Leon "Kaleta" Ligan-Majekodunmi joins "MFM Speaks Out" to share his 50-year journey through music, activism, and survival. From growing up in Benin and Lagos to touring with Fela Kuti, King Sunny Adé, Shina Peters, and Lauryn Hill, Kaleta reflects on Afrobeat as both a ...

FREEDOM FOR IRAN = self-determination for the Iranian people, opposing the current authoritarian theocracy = Unity among...
01/18/2026

FREEDOM FOR IRAN = self-determination for the Iranian people, opposing the current authoritarian theocracy = Unity among Iranians achieved by a reliable leader or leadership.

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