27/05/2026
The following guest post has been prepared by Shona Coyne (Menang curator) and Tiffany Shellam (non-Indigenous historian). Shona and Tiffany visited the State Records Office earlier this year as part of their research. Our thanks to the both of them in preparing this post.
EARLY PRESERVED WRITING BY MENANG NOONGAR GIRLS IN WESTERN AUSTRALIA
‘Love your enemies’, and ‘Be kind to one another’. These short, repeated phrases are amongst the earliest preserved writing by Aboriginal people in Western Australia. They were carefully written in 1854 by two Menang Noongar children, Rhoda Tanatan aged ten, and her close friend Rachel Wardekan, aged eight. Written line by line with the focus of a beginners hand the phrases carry the weight of Christian instruction and moral expectation placed on these young Menang children in a colonial institution.
With the help of State Records Office staff, we found these pages in the State Archives Collection, hidden within a report by Rev. Wollaston to Governor Fitzgerald, written in December 1854. Wollaston was providing an update on the progress of the Albany Native School, which would become known as Annesfield. As evidence of the school’s progress in ‘civilising’ Menang children, Wollaston included these pages as ‘specimen[s] of the children’s writing’ for the Governor's perusal, while samples of their needlework were forwarded to the Governor’s wife.
Literacy was an important goal of Annesfield. It also became an increasingly vital tool for communication for Noongar children to protest and voice their rights. An earlier ‘Native School’ in Albany, run by John McKail between 1843-45, had also focused on literacy. One young Menang student, Yarnel, wrote a letter to the Government Resident, John Randall Phillips, on behalf of his brother who was in the Albany gaol. We have not located Yarnel’s letter in the archive, but its once existence is significant. We wonder what words young Yarnel wrote in 1843. Did his newly obtained literacy have the power to help his imprisoned brother? Such examples of early writing join the heavy legacies of other literate Noongar children, such as Yued Noongar boys, Conaci and Dirimera, who wrote letters to Rosendo Salvado at New Norcia Aboriginal mission in 1850.
Archives can hold distressing stories which more often reveal the punitive nature of the colonial regime rather than the voices of those who were oppressed by it. But these archival discoveries might also be read as evidence to the contrary; they made us resolute to explore Rhoda and Rachel's lives further. Some of these stories feature in Kalyagul: Connections to Menang Country an exhibition that we co-curated with the Western Australian Museum (Museum of the Great Southern, Albany, opening 4 July 2026 to 21 February 2027) which elevate Menang histories and knowledge of their Country through collections.
During our research for Kalyagul, we noticed a pattern of absence in archival and museum records; few historical collections relate to Menang Noongar women and girls. However, Rhoda is an exception to this pattern. She wrote letters to colonists, some of which were published in newspapers in 1857 and 1858. We also came across a portrait of Rhoda, aged fourteen years old. Thomas Baines, artist and storekeeper on Augustus Charles Gregory’s North Australian Expedition (1855-57), painted Rhoda's portrait in March 1857. A prolific painter, Baines produced extensive and rich visual records of the expedition. Albany was a regular port of call between the west and east coasts and the North Australian Expedition’s ship Messenger, anchored at King George’s Sound for three days in March 1857 on its way to Sydney.
At the right-hand bottom corner of the portrait of Rhoda, shown in this post, between guiding lines, the name “Rhoda Tanatan” is written in pencil. Both her colonised name – Rhoda – and Menang name – Tanatan – are capitalised, and the letters linked together in looping copper plate script . What did Rhoda make of this portrait? Perhaps she took the chance to take ownership of the young girl on the page, carefully writing her name in pencil. The artist made it clear that he was impressed, writing directly onto the portrait: ‘the name written by the girl herself’. Thomas Baines was the artist. But it was Rhoda Tanatan who wrote herself in.
By writing her own name on the page, we can connect this painting to the girl, aged just ten, who repeatedly inscribed the words 'Love your enemies', and to the teenager who wrote letters to colonists, and the young woman who married John Williams, a ticket-of-leave man in 1858.
In Kalyagul we elevate the story of Menang women and girls such as Rhoda Tanatan and Rachel Wardekan. In raising their experience from the archive, Shona Coyne, a Menang woman and curator at the National Museum of Australia, brings a contemporary Menang perspective to bear on these records. Working with Tiffany Shellam, a historian at Deakin University with Scottish ancestry, and Amanda Lourie, a historian with Scottish, English and German ancestry, together we critically engage with the representation of Menang women in the archive, to make visible the ways in which girls like Rhoda, wrote themselves in.
- Shona Coyne and Tiffany Shellam.
To read more about Rhoda Tanatan's story, see Coyne, S., Lourie, A. and Shellam, T, ‘Writing Her Way In: Reclaiming Menang Yorga, Rhoda Tanatan’, Malcolm Traill and Harry Freemantle (eds), A Gift of Truth-Telling: Notes on the bicentenary of Albany, Studies in Western Australian History, vol.38, May 2026.
https://www.albany2026.com.au/events/kalyagul-connections-to-menang-country
Deakin University - Arts and Education
National Museum of Australia
WA Museum Boola Bardip
The City of Albany
Museum of the Great Southern