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Red Flag Festival "Celebrating Jim Connell, author of "The Red Flag," & the global labour movement. redflagfestival.com"

We honour the past's struggles & victories to inspire a future of solidarity & justice.

27/10/2026
20/10/2026

The Stardust Fire: Why Did 48 Families Have to Wait More Than 40 Years for the Truth?

On Valentine's night in 1981, 48 young people lost their lives when a fire swept through the Stardust nightclub in Artane, Dublin. More than 200 others were injured.

What should have been a night of music, dancing and celebration became one of the darkest tragedies in modern Irish history.

For decades, the families of those who died fought for answers, accountability and justice.

The original 1982 tribunal controversially suggested that the fire had probably been started deliberately, a finding later removed from the official record.

It wasn't until April 2024, more than 43 years after the tragedy, that a fresh inquest jury returned verdicts of unlawful killing for all 48 victims.

The jury also identified serious failures involving fire safety, emergency exits and management.

For the families, it was a moment they had spent generations fighting to reach.

But one question remains.

Why did grieving families have to fight for more than four decades to establish the truth about what happened to their loved ones?

Do you remember the Stardust tragedy, and do you believe the families received the justice they deserved?

One of the many Irish migrants remembered today. https://sslh.org.uk/2023/12/15/in-tune-the-old-poachers-song/
17/10/2026

One of the many Irish migrants remembered today.

https://sslh.org.uk/2023/12/15/in-tune-the-old-poachers-song/

Jim Connell is best known as the writer of The Red Flag, but his poem The Old Poacher’s Song, set to music and performed by Francis Devine, harks back to the rural Irish radicalism of his you…

16/10/2026

Born on this day 16 October 1890 - Michael Collins

16/10/2026

More info on why in comments

15/10/2026

In 1888, teenage girls in East London worked fourteen-hour shifts while phosphorus jaw disease rotted their faces. Nobody expected them to fight back.

They made matches for Bryant and May, one of Britain's largest factories, earning a few shillings a week. Some were younger than teenagers. The work was brutal, the air thick with white phosphorus fumes that seeped into their bones. The disease it caused had a name: phossy jaw. It started with toothache. Then the gums turned black. Then the jawbone began to glow in the dark, rotting from the inside out. The only treatment was surgical removal — chunks of face carved away to stop the spread. Many didn't survive it.

The girls knew the risks. Everyone in East London did. But when your family needs to eat and the factory pays, you take the work. Bryant and May knew it too. They kept the phosphorus, kept the hours, kept the fines for talking or dropping matches or arriving late. A girl could work all day and take home almost nothing after deductions. The company's shareholders, meanwhile, grew richer. The factory ran like an empire, and empires don't stop for factory girls.

Then Annie Besant walked in.

Besant was a journalist, a socialist, a woman with a platform and a sharp pen. She'd heard the rumours. She wanted the truth. So she went to the source — the girls themselves. They told her everything. The hours, the poison, the fines, the foremen who threatened dismissal if anyone complained. Besant listened. Then she sat down and wrote it all out, every word, and published it in her magazine in the summer of 1888.

The article was damning. It named Bryant and May. It described the working conditions in detail. It called the company out for profiting off the suffering of children and young women while doing nothing to protect them. The response was immediate. Bryant and May demanded the girls sign a statement saying the article was lies. The girls refused.

The company sacked the organisers.

That's when 1,400 of them walked out.

It wasn't planned. There was no union backing them, no fund to keep them fed while they struck, no guarantee they'd ever work again. These were teenage girls, some of the lowest-paid workers in London, taking on one of the most powerful companies in Britain. The establishment expected them to crumble within days.

They didn't.

The strike held. Besant threw her weight behind it, organising meetings, raising funds, making sure the press kept watching. The girls marched. They spoke at rallies. They refused to back down. London had never seen anything like it — young women, the poorest of the poor, standing firm against an industrial giant. The public began to take notice. Donations poured in. Other workers watched and wondered if they could do the same.

Three weeks later, Bryant and May blinked.

The company agreed to end the fines. They promised better conditions. They recognised the right of the girls to organise. It wasn't everything, but it was a victory no one had thought possible. The match girls went back to work, but the world had shifted. They'd proven that even the most powerless could fight an empire and win. Their strike became a turning point in British labour history, a spark that lit a movement. Within months, other groups of workers — dockers, gasworkers, women in factories across the country — began to organise and strike. The tide had turned.

And it started with a group of teenage girls who were never supposed to matter.

The full story of the Match Girls' Strike — and the fearless women who stood up to an empire — is over at Britain Untold.

🎨 Images are AI-assisted illustrations created to depict historical events.

15/10/2026

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