10/06/2026
My story and what it has to do with my plan to build a safe and sensory friendly studio in my beautiful native wildflower prairie cove...
One of these pictures is at the Armed Forces School of Music basic music course, which at that time was the Army Band AIT (the advanced training following initial basic training). The picture of me with the cymbals is at a ceremonial band performance where bassoons don't typically perform, and the more formal looking picture is when I honored my dad at his funeral by arranging "How Firm a Foundation" for bassoon and organ and performing it with my sister, Sheri, as organist.
At one point, these pictures represented the greatest accomplishments of my life (other than husband and father accomplishments), but they eventually became a source of great pain, confusion, and existential crisis. Part of the conflict and crisis had to do with unaddressed and unacknowledged hidden disabilities that caused my career to come crashing down. Even now, it's difficult for me to call a disability a disability—SAY THE WORD!—but my needs are never fully met without completely identifying, among other things, as a disabled autistic adult.
When I began kindergarten in 1980, autism spectrum diagnoses were only for the most classic cases where kids didn't mask enough to hide their differences—maskers at least hid their differences enough to be called "weird" but nothing else. For kids who were excellent maskers, their challenges in school, home, and social life were mysteries. They were seen as, weird, needing discipline, or their problems blamed on abuse, poverty, or poor parenting.
In my case, psychologists gave a lot of attention to my 8 other siblings and chaotic home life, only to realize that I had great parents and a loving family, but they had no other explanations why I never turned in my homework, why I was reclusive and avoidant at school, why I didn't take showers even as a bed wetter, and why I stayed home sick all the time.
My first year of junior high school was full of relentless bullying because I was obviously different from others. "T**d" (or the full word) and "lurpy" were my most common descriptors from others. ("Lurpy" was local slang for out of place, awkward, or clumsy.)
We moved to Utah for my 8th grade year. The kids in Utah were way nicer to me than Colorado kids, but I was still lost and stressed to the max in a sea of kids and stimulation. I couldn't catch a break in school because I knew all the homework and test answers, but I was too exhausted to complete all of it. My IQ was up there with the high achievers, but my ability to show it to others was nonexistent. Music and running were the only areas where I could stand out. Except, long track meets and hundreds of kids overloaded me, so I had to quit the track team.
So, music it was! Because socializing was so difficult, and other school subjects caused frustration and depression, music was my refuge. It saved me during much heartache.
However, music can't fix everything. After high school, the same issues showed up as dropping out of college due to overwhelm, jobs only lasting a day, a month, or a year at the longest, and having two failed marriages in less than 10 years.
I finally schemed that I might literally have a shot at life by auditioning for the Army Band so that the structure, discipline, and music (doing what I love), would help keep me going. It felt so good to have a career doing what I loved more than anything, but little did I know that it was never going to last more than 10 years because I had never fully addressed the unexplained reasons why everything was so difficult for me. Although 10 years of job longevity was an amazing success for me (and I even rode that wave to earn an MFA in film music composing/production while serving in the Army), it was all I could do until I was completely burned out. I'm not just talking about common career burnout. I didn't know about autism, but it was autistic burnout, in hindsight. I couldn't do anything. I was just a bump on a log unable to do anything at home or at work, and it came with major depression, anxiety, meltdowns, abrupt mood swings.
When I left that career, playing my bassoon became a triggering source of pain and depression. I felt completely useless. I did find a low-key job with minimal socialization and minimal supervision, which has helped me stay there for 11 years, but even this job is becoming too much to handle.
At near age 52, I'm now preparing to retire early and try my own part-time music composing, production, and teaching business. Part-time seems to be all I can handle at any career without falling apart. My wonderful wife is planning to jump back into the workforce to help make ends meet. (Bless her!)
At this turning point, I find myself worried about so many things. I've been unable to compose music because my brain doesn't do desk work without complete isolation, which is impossible to have at home. How can I even do music part-time without a dedicated isolated space? In answer to that problem, I'm planning to build a stand-alone studio on our property next to my beautiful native wildflower prairie cove, which I think will really help. I'm excited!
Another problem—how can I have film music clients when social interactions are so taxing to me, and deadlines are not something I've ever been able to keep? Teaching lessons, too—I love teaching and paying it forward, but how can I manage the socialization and still be okay during my down time? I think my studio build plans will help this, too. Less environmental or uncontrolled stimulation and less chaos means more mental resources.
However, all I know for sure is that I'm starting a hobby studio, and it may always only be a hobby studio, but I have to always try to make it the best it can be. Aside from my God and my family, music is my life. For the first time, I'm doing this in a way that I'm owning my disability and accommodating it. We don't live in a world that offers these types of accommodations in the music industry or in most industries. Even in music education, I had to find that rare fully online slow paced degree program. So I'm creating my own parameters and accommodating myself for the next chapter of my life.
I look at these pictures and see a mixed bag of potential, naivety, and tragedy. However, I also see learning and experience without which I wouldn't be who I am today. I wouldn't have nearly the appreciation for what I still have, and I wouldn't have nearly the empathy and compassion for others. I wouldn't have the strong desire to show young neurodivergent musicians how to learn music neuroaffirmingly, and how to navigate music and live in this hyper-intense world.
The world is bright; even for this struggling man in his 50s. I have so much hope that something beautiful will come of this next chapter. Hope is pretty much all I have right now. I've always had hope and I always will!