18/03/2026
The Selma–Dallas County Tour of Homes is this Saturday — and we would be honored to welcome you to The Molett House as part of this Golden Anniversary celebration.
For $50 per adult ($25 for children), your ticket includes admission to six remarkable historic homes (Saturday, 10–4), along with a Friday evening Gala at the Vaughan-Smitherman Museum at 6 PM with refreshments.
Tickets are available online through Eventbrite, or in person at:
• Vaughan-Smitherman Museum (Friday 9–4 & 6–7; Saturday 10–12)
• Orrville Library (Saturday 9–12)
• The Molett House, for those who come directly here
Every ticket supports historic preservation in Selma and Dallas County. And that support matters. Old houses do not remain standing by nostalgia alone.
This past Sunday, we had the pleasure of previewing several of the homes on this year’s tour—a kind of quiet pilgrimage through time and stewardship. We began here at The Molett House, then visited the beautifully restored Ellis-Dunaway-Gardner House, the early-stage Mill Albritton House, the lived-in and storied Bland-Chestnut-Turner House, and finally the extraordinary and rarely seen Crumptonia.
Each home tells a different chapter of the same story.
At Crumptonia, nothing has been done—and that is precisely its power. It stands remote and haunting, its bones fully visible, waiting with a kind of quiet dignity. At the other end, homes like Tasso (which we’ve visited before and included here) and the Molett House show what careful restoration can become: spaces returned to life, not as museums, but as living places once again.
And in between—Ellis-Dunaway-Gardner, Mill Albritton, Bland-Chestnut-Turner—you will see the full spectrum of preservation: finished, beginning, and simply enduring.
Here at the Molett House, the past few weeks have been a true team effort.
Allen Bearden and Milam Turner have finished their work on the porches, painting, and a long list of the small, necessary things that somehow matter most in the end. Quite simply, we could not have gotten the house ready without them. What they’ve done is the kind of work that doesn’t call attention to itself—but you feel it the moment you arrive.
Inside, Eleanor and I have been tending to the details—cleaning up after the long season of ladybugs, adding touches here and there, finishing what the house seemed to ask for. There’s a quiet satisfaction in that kind of work, in bringing things back into order without disturbing their history.
Outside, Greg Bjelke has helped us prune and shape the trees, giving the house a little more room to breathe. Norm and Diane Oglesby have spent time in the yard as well, helping bring everything back from winter’s rough edges.
It has taken many hands. It always does.
And now—at last—the house is ready.
She stands as she should: a fine, dignified old Southern lady, looking perhaps as well as she has since those early days not long after 1819, when she first took her place in the Bend. Not new. Not perfect. But settled, gracious, and ready to receive.
Soon, the dining room will welcome guests again. It has done so before, and it will do so again. Hospitality, after all, is part of preservation too.
And beyond it all, the river continues on as it always has.
We would be honored to welcome you this Saturday, March 21.