Kirkman-McClaid House

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Kirkman-McClaid House Restoring the Kirkman–McClaid House, a late Victorian landmark in Elkton, KY.

Sharing restoration projects, historical research, and discoveries about the families and community connected to this home as we pursue National Register recognition.

Preserving Early Electrical History In-Situ​Uncovering the west exterior wall of the original back porch revealed the cl...
10/20/2026

Preserving Early Electrical History In-Situ

​Uncovering the west exterior wall of the original back porch revealed the clear archaeological footprint of the home's early electrical system. Unpainted ghosting on the original Western Red Cedar bevel siding showed the exact diamond outline of a surface-mounted switch, a rectangular split cleat, and two porcelain tube penetrations passing right through the bevel siding overlap.

​In the early 1900s, when meals were brought from the detached kitchen through this exterior entrance into the dining room, this turn-key porcelain rotary switch controlled an outside porch light mounted under the original eave. Power ran up through porcelain tubes, passed through the switch, and followed split cleats along the eave to illuminate the outdoor walkway.

​Rather than covering over this history or removing the hardware, we restored the site in-situ. Incorporating the original split cleat, porcelain tubes, and cloth wire leads salvaged directly from inside the walls and eave during demo, alongside a period-matched salvaged rotary switch sourced to fit the ghost footprint down to the millimeter, we reassembled the complete assembly over the freshly painted sage green siding.

​This creates an inactive, museum-quality static exhibit that tells the story of the home's early layout and lighting evolution—safely preserved on the wall while modern, code-compliant branch circuits handle actual power behind the scenes.

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A glimpse of something beautiful arriving shortly...."It'll cast the morning's eastern light."
10/06/2026

A glimpse of something beautiful arriving shortly....

"It'll cast the morning's eastern light."

Step Back to 1945 Todd County!Ever wonder what phone numbers looked like back when dialing a neighbor in Elkton took jus...
10/05/2026

Step Back to 1945 Todd County!

Ever wonder what phone numbers looked like back when dialing a neighbor in Elkton took just a single digit?

​We're excited to share a fantastic piece of local history now available to explore: the 1945 Southern Bell Telephone Directory covering Elkton, Allensville, Guthrie, Sharon Grove, and Trenton, Kentucky!
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The Origin Story of Elkton’s Line #1
​In the 1945 directory, Roy C. Murrey held line #1 in Elkton at the Kirkman-McClaid House. But how did this specific home end up with the very first drop on the town's central switchboard? The property's chain of ownership perfectly mirrors the arrival and growth of telecommunications in Todd County:

​1898–1908 (Vanderbilt Training School Principals): Around the turn of the century—right as local manual telephone exchanges were first being installed in Western Kentucky—the residence was owned by two consecutive principals of the Vanderbilt Training School (1898–1904 and 1904–1908). As leadership of one of Elkton's premier educational institutions, having an immediate, single-digit connection to the central operator was a natural priority.

​1908–1919 (James C. Penick): Local businessman J.C. Penick owned the home as telephone adoption expanded across town, cementing line #1 to the physical wiring drop entering the residence.

​1919–1938 & 1942 (Robert T. Kirkman): Prominent merchant, Sheriff, and State Representative R.T. Kirkman lived here for decades, holding the town's primary line. When Kirkman sold the home in 1942 and moved to the east end of town, line #1 stayed anchored to the physical roofline rather than moving across town.

​1942 Onward (Roy C. Murrey): Murrey acquired the estate in 1942, inheriting the legacy #1 circuit just in time for the 1945 directory printing!
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Dig Into Your Family History!
​This complete 1945 directory is fully viewable and searchable online on the Internet Archive! Whether you are researching Todd County genealogy, looking up historic family farmsteads, or curious about old downtown business listings, you can search line by line right from your browser.

​View & Search the Directory Here:

https://archive.org/details/telephone-directory-elkton-allensville-guthrie-sharon-grove-trenton-kentucky-194
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Over to You:
Have you searched the directory yet? Are any of your ancestors, relatives, or historic family home addresses listed in this 1945 phone book? Drop a comment below and let us know what interesting names or numbers you discover!

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Local telephone directory issued by the Southern Bell Telephone and Telegraph Company covering exchanges across Todd County, Kentucky: Elkton, Allensville, Guthrie, Sharon Grove, and Trenton. Dated to early 1945 based on the residential listing for R. T. Kirkman in Elkton (telephone 31). Includes...

"So what have you guys been up to lately?"Oh, a little bit of this, a little bit of that ✌️
09/24/2026

"So what have you guys been up to lately?"

Oh, a little bit of this, a little bit of that ✌️

Thursday Archive Spotlight: Maude Kirkman’s Official Legacy at the 1893 World’s Fair​ ​When we look at the ornamental de...
07/16/2026

Thursday Archive Spotlight: Maude Kirkman’s Official Legacy at the 1893 World’s Fair

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When we look at the ornamental details of our 1895 Queen Anne Victorian, we aren't just looking at beautiful architecture. We are looking at the vision of a trailblazing Kentucky woman who left her definitive mark on the 1893 World’s Columbian Exposition in Chicago.

​》》The Context
History books often treat the 1893 World's Fair as a playground for tourists, but for Maude Kirkman—the woman who commissioned our home to be built—it was an official state assignment. A proud descendant of Peter Kirkman, whose family founded nearby Kirkmansville, Maude was deeply rooted in our region's history and active in state leadership. After seeking an appointment as Kentucky's State Librarian in 1891, she was officially appointed by the state government to be completely in charge of Kentucky's Education Exhibit at the World's Fair.

​To honor her incredible legacy, our permanent archive houses three newly cataloged artifacts that directly mirror the items Maude would have used, carried, and distributed while representing the Commonwealth in Chicago:

1) ​The Official Preliminary Guide: Published by the Horace O'Donoghue Printing Co., this directory and map was the literal field manual for state officials navigating the massive exposition.

2) ​The Kentucky State Souvenir Medal: A spectacular stamped brass badge featuring Christopher Columbus, explicitly struck to celebrate Kentucky's official presence at the fair. As the head of a state exhibit, this is the exact type of official medal pin Maude would have worn or presented to dignitaries visiting the Kentucky display.

3) ​The Printed Souvenir Textile Handkerchief: A finely detailed, commemorative exposition textile representing the high-caliber keepsakes preserved from the fairgrounds.

》》​The Provenance (Why It Belongs in Our Archive)
When Maude returned to Todd County after running a major exhibit on the world stage, she didn't just bring back souvenirs—she brought back an unparalleled vision of modern architecture and design. Just two years later, in 1895, she commissioned the construction of our residence. Understanding her role as a state-appointed official completely recontextualizes our home; it was built by a woman of immense administrative skill, deep local lineage, and global exposure. Preserving these items allows us to tell the true story of her trailblazing career.

​》》The Digital Doorway
We have fully digitized these items and logged the complete metadata into our online Omeka archive. You can examine the fine details of the Kentucky medal pin and explore the legacy of the woman who built the foundation of our home.

​👉 Explore the interactive World's Fair collection here: https://kirkmanmcclaidhouse.omeka.net/admin/items/browse?collection=2&page=2

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 : 1895 Passive HVAC & Mechanical Engineering​Long before electricity grids and smart thermostats, late-Victorian homes ...
07/14/2026

: 1895 Passive HVAC & Mechanical Engineering

​Long before electricity grids and smart thermostats, late-Victorian homes used clever physics and precise mechanical engineering for automated climate control. This newly restored Reading Hardware Co. "Solid Grip" transom operator (Pat. 1887) is a perfect example.

​Here is how early thermodynamics and multi-metal engineering worked together to cool a house in 1895.

​1. Thermodynamics & The "Stack Effect"

​Victorian builders designed soaring 12-foot ceilings to exploit basic fluid dynamics: convection.
​The Thermal Reservoir: Warm air naturally rose, gathering in a high-pressure pool well above the living space.
​The Air Exchanger: Opening the transom window at the top of the wall broke the pressure boundary. Hot air rushed out, creating a low-pressure zone below that pulled cooler air in through lower, shaded windows—creating a silent, gravity-powered AC loop.

​2. The "Solid Grip" Spring Mechanism

​To bypass a massive market monopoly on standard thumb-screw lifters, Reading Hardware engineered a mechanism driven by opposing mechanical force:
​The Fail-Safe Bite: The cast-iron housing holds an internal dual-torsion spring assembly. In its resting state, the springs force internal levers to "bite" the vertical rod.
​Instant Locking: Shifting the handle releases the spring tension, letting the mild steel rod slide linearly through the housing to open the window. The second you let go, the springs snap back, locking the heavy glass securely at any micro-adjusted angle.
​Linear Stabilization: A small, frame-mounted cast-iron guide loop sits just above the main housing. It keeps the slender operating rod perfectly inline, preventing it from flexing or bowing under compression when pushing the heavy window upward.

​3. Dissimilar Metal Synergy

​The assembly is a masterclass in 19th-century material science, using three distinct metals to guarantee a lifetime of high-torque operation:
​Mild Steel: Used for the long rod and lifting arm to handle high vertical compression without buckling.
​Cast Iron: Used for the frame mounts and guide loop to absorb structural torque.
​Solid Brass: Used for the connecting collar pinned to the rod. Because the arm must change angles as the window swings open, this collar acts as a rotational pivot bearing. Iron against steel causes high friction and rust-welding; a brass-to-steel interface creates a self-lubricating, non-binding joint designed to last centuries.

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Finding the Master Artisan: An Entryway Restoration Update​Restoring a historic home is a masterclass in patience, espec...
07/12/2026

Finding the Master Artisan: An Entryway Restoration Update

​Restoring a historic home is a masterclass in patience, especially when it comes to highly specialized historic trades. After hitting brick wall after brick wall trying to find someone local—and even reaching down into Nashville, only to get radio silence or be told they "only want commercial work"—we finally found our answer.

​We have officially commissioned Art in Glass out of Delaware to build the custom stained glass insert for our east door!

​We had the absolute pleasure of working with Sharon, a phenomenal artisan who has been mastering this craft since 1978. She immediately understood the vision, walked us through the architectural particulars, and helped us refine our selection to ensure we are using the most period-appropriate glass textures possible.

​Our Restoration Philosophy & Expectations:
As with all things we do, the work is ongoing and we take it one step at a time. We hold our projects to an exceptionally high standard, and our strict inclination for high expectations and clear deliverables is directly shaped by our backgrounds in military operations and civilian program management. We believe in testing contractors with a single job first to evaluate their ex*****on, precision, and responsiveness. We reward top-tier quality, and if this first piece meets our operational standards, this is just the beginning of a much larger project.

​Looking Ahead:
Locals have vividly remembered that the transom window above our front door was actually stained glass at one point in its history. Hearing that was all the inspiration we needed. Once the east door is safely delivered and installed, Susan will be tasked with recreating that front transom. From there, it only makes sense to carry the design language over to the north door so both entries match seamlessly.

​It is an incredible relief to go from dead ends to collaborating with a true master of the craft who respects the history of the house.

​Stay tuned for updates as the east door comes together!

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Surgical Tub Extractions, 1938 Time Capsules, and the $19k Crawlspace Victory​It's Saturday, and we are back with our we...
07/11/2026

Surgical Tub Extractions, 1938 Time Capsules, and the $19k Crawlspace Victory

​It's Saturday, and we are back with our weekly dose of architectural forensics, structural dust, and pure old-house chaos. This week, our 1895 Queen Anne Victorian house in Elkton threw a few more fascinating puzzle pieces at our feet—along with a massive sigh of relief.

​We’ve been staring down a 1.5-inch structural sag stretching across our 11-foot interior kitchen arch. But before our upcoming diagnostic site visit with a structural engineer to map out a permanent leveling game plan, we have some fantastic news from the underground.

​Here is the official breakdown of what we uncovered, dismantled, and decoded this week:

​1. The $19k Crawlspace Payoff

​We managed to get underneath the house to inspect the load paths firsthand. Fortunately, it appears we do indeed have the arch ends sitting directly on solid ground support! This is an absolute game-changer for our peace of mind—it means there is no immediate fear of a structural failure while we finalize our long-term leveling strategy.

​Seeing how pristine it is under there reminded us of exactly one year ago today, when we had to completely encapsulate the crawlspace after the big flood. We brought in Crawl Space Techs out of Clarksville to do a full cleanout, encapsulation, sump basin and pump installation, commercial dehumidifier setup, and extend all gutter downspouts 8 feet away from the foundation. It was an exceptionally well-spent $19,000, and it is officially performing with distinction.

​2. The Great 350-Pound Tub Exorcism (A Flashback)

​After watching rainwater stream in the upstairs bathroom ceiling, run across the floor, and empty into the kitchen ceiling below, we knew this was a longstanding issue causing unknown damage. To relieve the pressure on those kitchen joists, we previously had to get the dead weight of the old second-floor bathroom tub out of the house. That 350-pound cast-iron beast absolutely refused to fit through our historic door frames, no matter what angle we tried. It ultimately required a surgical extraction a month ago by our heavy-lifting friends at Problem Packers, who had to cut it into pieces just to get it out. An unfortunate antique casualty of ensuring the supports didn't collapse.

​3. Unlocking the 1938 Timeline

​Our house forensics took a massive leap forward this week. While exposing the wall framing, we found handwritten layout notes left behind by a past carpenter. But the real prize was stuffed deep inside the cavity: fragments of an old newspaper time capsule.

​As you can see in our pictures, we unrolled pieces of a November 1938 edition of the Louisville Courier-Journal, complete with iconic Walter Winchell columns!

​The Verdict: Finding 1938 newsprint aligns beautifully with the 1.75-inch nominal framing studs we uncovered.

​This officially confirms that the original open porch was enclosed and turned into interior kitchen space right around 1938.

​The 1982 newspaper fragments we found earlier were just from a much later fiberglass insulation retrofit applied from the EXTERIOR side of the house.

​4. Dumpster Tetris & The Electrician Timeline

​Our progress can officially be measured in tonnage. We have completely filled two massive 5-yard dumpsters so far, which you've seen parked outside the past several weeks. Even our local wildlife and feline site supervisors are dropping by to inspect the debris pile. Dumpster number three arrives Monday to handle the rest of the floor demolition.

​On the mechanical front, our electrical team had a scheduling shift—they won't be back on-site until July 14 to tackle the removal of our temporary island breaker stand and trace out that dead utility room circuit.

​5. Pivoting to the Future: The Design Plan
​Because this total kitchen gut was entirely unplanned and unbudgeted, we are playing it smart and pivoting to the fun part: aesthetics. We just picked up our paint supplies and finalized a late-Victorian, nature-inspired palette:

▪︎ ​Walls: Clary Sage (a beautiful, period-accurate muted green popular in the 1890s).
▪︎ ​Ceiling: Alabaster White (soft, warm, and light-reflecting).
▪︎ ​Cabinets: A beautiful creme with tan/brown line accents to mimic historic furniture detailing. They are all premier wood construction and only 2 weeks out!
▪︎ ​Countertops: Since high-end stone isn't in the budget cards right now, we are going with an easy-maintenance laminate with brown marbling. It perfectly mimics the look of the luxury marble pastry slabs prized by 1890s bakers, and we can always upgrade to quartz a few years down the road.

​The Next 7 Days: What’s on the Horizon?

​We aren’t slowing down. Here is our master punch list for the upcoming week:

> ​The Wood Shield: We are applying a heavy coat of Bora-Care to all the raw interior wood inside our open wall cavities, floor sill plates, and under the ceiling joists. It penetrates deep into the timber to eradicate any hidden pests or fungus and shields the house against future rot or bugs.

> ​The Great Reclaim Check: When the structural engineering team arrives for our structural assessment, we're also having them audit the 1960s/70s era drop ceiling frame. If they give us the green light, we'll be ripping it out entirely to reclaim the kitchen's original, grand Victorian height!

> ​Buttoning Up the Walls: Once the Bora-Care dries, we are packing the open framing with Rockwool R15 mineral wool batts for top-tier insulation, fire resistance, and sound dampening.

> ​A Shocking Return: Preparing the space for our electricians who officially land on July 14 to clean up the temporary island panel and dead wiring.

> ​A Splash of Color Elsewhere: While the kitchen dries and waits for engineering sign-offs, we are moving the aesthetic party to the rest of the house. We're prepping the upstairs bedroom for a dramatic coat of Borscht (a rich historic plum) and the downstairs bedroom for Naval (a deep, bold statement navy).

> ​Trim Therapy: We are beginning the meticulous task of stripping back generations of old paint on our exterior door trim to prep it for its historically accurate final coat: Jasper (a gorgeous, deep forest green-black).

​Current Status: Dust in our hair, old newspapers in our hands, and a massive checklist ahead. The history is unmasked, the foundation is dry, and the rebuild is officially on the horizon!

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Historic Inspiration: Walking Bowling Green for the Kirkman-McClaid House!Hey restoration family!We spent a couple days ...
07/10/2026

Historic Inspiration: Walking Bowling Green for the Kirkman-McClaid House!

Hey restoration family!

We spent a couple days in Bowling Green and decided to use our off-hours walking the historic streets for architectural inspiration, color palettes, and period-correct details to bring back to our 1895 build.

Studying nearby historic districts is a game-changer for a restoration mission. Here is how the homes we toured today stack up, ranked from least to most relevant for our specific 1895 journey!

#5. 1220 College Street (The Tudor Revival Crossover)

¤ Relevance Rank: Least Relevant (but still fascinating!)

▪︎ Why it’s ranked here: Built decades after our home (around the 1920s/30s), this striking building is textbook Tudor Revival. With its heavy fieldstone masonry, stucco, and half-timbering, it represents a completely different architectural movement than our 1895 Victorian.

》》 The Lesson 《《
While it doesn’t help us with 1890s woodwork, it’s a beautiful reminder of how multi-family spaces can maintain incredible historic curb appeal.

#4. 1211 College Street (The 1906 Folk Victorian Cottage)

¤ Relevance Rank: Moderately Relevant
▪︎ Why it’s ranked here: This charming cottage post-dates our house by about a decade and represents a scaled-down, simplified "cottage" form rather than a grand two-story footprint.

》》 The Lesson 《《
Color and texture palette!
This house is an absolute masterclass in Victorian color-blocking. The way they accented the front pediment with dark-red fishscale shingles against the yellow and light-blue siding is a massive inspiration for how we can highlight the architectural textures on the KirkmanMcClaid House.

#3. 1310 College Street (The Potter "Castle")

¤ Relevance Rank: Highly Relevant (Restoration Goals!)
▪︎ Why it’s ranked here: Built in 1876, it actually pre-dates our house by nearly twenty years, bridging the heavy Italianate style with a later three-story Queen Anne turret extension.

》》The Lesson《《
SHEER RESTORATION STAMINA.
This 7,400-sq-ft landmark was once chopped up into 12 separate apartment units. It underwent an award-winning restoration to reverse all that damage and return it to a single-family masterpiece. When the drywall dust gets overwhelming at the KirkmanMcClaid House, this is the kind of grit that reminds us *why* we do this.

#2. 1228 College Street (The 1896 Gabled Wing Contemporary)

¤ Relevance Rank: Extremely Relevant (An Age Sibling!)
▪︎ Why it’s ranked here: Built circa 1896, this house is a literal contemporary sibling to our 1895 build! It was constructed at the exact same moment in history by carpenters using the exact same framing techniques and layout preferences.

》》 The Lesson《《
Look past its current life as student housing and look at the bones: the cross-gable roof layout, the window spacing, and the clean horizontal lines show us exactly how a mid-1890s vernacular home was intended to present itself to the streetscape.

#1. 1303 State Street (The 1894 Pollard House)

¤ Relevance Rank: The Holy Grail of Inspiration!
▪︎ Why it’s ranked here: Built in 1894—exactly one year before the Kirkman-McClaid House—this is a verified George Franklin Barber mail-order design. It represents the absolute zenith of the high-style Queen Anne movement that heavily influenced our house's birth year.

》》 The Lesson 《《
The ultimate millwork roadmap. This house is a goldmine for our porch and gable restoration. The intricately carved sunburst wheel motif in the porch pediment, the delicate turned spindlework, the matching integrated porch seats, and the metal fishscale shingles on the tower are a direct window into 1895 high-style luxury. It gave us a million ideas for how to recreate or highlight our own period trim!

Which of these historic beauties is your favorite? Should we lean into the bold color blocking of the 1906 cottage, or take trim notes from the 1894 Barber house? Let us know in the comments!

Thursday Archive Spotlight : The Obelisk in Scaffolding (c. 1923–1924)We are used to seeing the iconic Jefferson Davis M...
07/09/2026

Thursday Archive Spotlight

: The Obelisk in Scaffolding (c. 1923–1924)

We are used to seeing the iconic Jefferson Davis Monument standing clean and finished against the Fairview sky line, but our archives just added a rare look at the giant while it was still being built.

This newly cataloged piece is an original Real Photo Postcard (RPPC) documenting the final, high-altitude stages of construction on the monument obelisk right on the Todd/Christian County line. As you can see in the crisp silver-gelatin details, the obelisk had finally achieved its full, massive height, but the wooden concrete forms and heavy scaffolding were still hugging the pyramidal peak as the final concrete cured. Look closely at the bottom, and you can see the formal stone entry pillars and iron fencing surrounding the park grounds.

​The Provenance (Why It Belongs in Our Archive)
This postcard was captured by a local photographer named Blythe, who scratched the title directly into the photographic negative before printing. For our collection, finding an unposted, pristine specimen like this is a massive win. Turning it over reveals an "AZO" stamp box with two triangles pointing up and two pointing down (▲ ▲ AZO ▼ ▼). Studying these tiny photographic paper manufacturing details is how we verify the authenticity and physical timeline of the ephemera we rescue. It belongs here because it preserves the raw, gritty labor behind a familiar local horizon.
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The Digital Doorway
We have fully digitized this artifact and logged its complete Dublin Core metadata into our permanent online collection (Identifier: 2026.270)! You can view the high-res details of both the front negative and the blank reverse side to explore our community's history up close.

​Head to the digital museum archive to explore it: https://kirkmanmcclaidhouse.omeka.net/admin/items/show/169

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507 West Main Street
Elkton, KY
42220

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