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RAGE Zine

RAGE Zine is a global feminist platform, zine & colective for expressing feminist rage as a tool for political change and action

10/31/2026

The Art of Rage | by morgane griffoul

10/30/2026

The Art of Rage | by Natalia Sara Skorupa A graduate of the Academy of Art in
Szczecin and the University of Szczecin.
A finalist for the Student Nobel Prize in
2025. A recipient of a scholarship from
the Mayor of Szczecin in 2025 and a scholarship from the Ministry of Culture and National Heritage in 2022. Her work has been exhibited in Dubai, Mexico, Singapore, Taiwan, India, Kenya, Chile, Mexico, Italy, Brussels, Germany, the Czech Republic, Austria, and numerous cities in Poland, among others. Drawing on her sociological and artistic training, as an interdisciplinary artist, she creates films, sculptures, paintings, and pertormances about Polish culture, utilizing transgression, psychology, and corporeality. Her works are otten controversial personifications of socio-political concerns and tensions. A winner of the Bielska Jesien 2025 competition, where she received a special mention. A winner ot the 32nd national review of young painting, PROMOCJE 2025. She lives and works in Szczecin.

10/27/2026

The Art of Rage | by Kimberly Elliott

10/26/2026

The Art of Rage | by

10/25/2026

The Art of Rage | by Adriana Artmeier

“Sea to the Pea Tea Ass Dee” was part of my “Dad jokes” solo exhibition where I discussed the topic of childhood SA & the effects of that kind of trauma. In this work I tried to create a visual metaphor of what it feels like for me to live with C-PTSD. Your body refuses to forget what the mind tries to bury and the details of previous events keep floating up to the surface on a regular basis. There’s also a documented connection between trauma and physical manifestations in the body. I wanted to capture the discomfort of existing inside a body that carries that history. For me, I never wanted to show a ‘poetic healing journey’, I wanted to show the messy, absurd and gross reality that we carry with us in our bodies 🩷”

10/23/2026

The Art of Rage | by Cecile Pearson “Cecile Pearson is a textile artist and painter based in Los Angeles.“

10/22/2026

ALL THE RAGE Issue #2 is live: Think Negatively, Be Angry.
A little permission to stop smoothing things over. This issue explores rage as a force for creative change, collective action, and more shapes to dream into. Essay by with art from Emiliana Henriquez and Ellis King | Figurative Painter Exploring Womanhood
Read it on our substack!

10/21/2026

The Art of Rage | by Ariel Posh

10/20/2026

The Art of Rage | by Katharina Büttgen Katharina Büttgen/ Кацярына Бютген 🤍❤️🤍 “As a person with a migration background, the question of identity has always been central to me
and at the same time complicated. For a long time, I found it difficult to clearly define my Belarusian
identity. It remained fragmented and shaped by political repression and Russification.
During the protests in Minsk, I once again experienced the massive violence and control of the
state. There was great hope for change and democratic freedom, but this moment of possible liberation
was violently ended. Today, the expression of Belarusian identity is increasingly restricted
and partly criminalized. For example, speaking Belarusian can already be considered a terrorist act.
The history of Belarus is strongly shaped by imperial and colonial power relations. Over centuries,
the Belarusian language, culture, and identity have been overlaid and suppressed by Russian
powers. In my artistic practice, I therefore understand my work as part of a decolonial engagement with Belarusian culture.
My artistic work deals with questions of identity, political violence, and memory. Through this
engagement, returning to Belarus is no longer possible for me For me, identity is inseparably
linked with control, violence, and prohibition, but also with homesickness and the feeling of a lost home.
Much remains visible only through memory.
Through textile and photography, I express feelings of loss, memory, and the political influence
on identity. I often begin with drawings or photographic motifs, which I then translate into textile
works. Textile is a material that carries meaning for me.
Historically, embroidery and textile are
deeply rooted in Belarusian culture and can, alongside memory, also intensity the contrast to
violence.
By combining found and new textiles, a connection emerges between personal experience and
collective history. I see my personal feelings and experiences as an example within a collective
experience. In this way, an emotional level is created in which questions of identity, loss, and resistance
become visible.“

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